The Chronicle of Opera  32784

  • Introduction
  1. 1589-1761: Baroque Opera
    • 1589-1634: The New Art
    • 1635-1646: Opera in Venice
    • 1647-1677: Italian Opera Reaches Paris
    • 1678-1702: France, Germany, Paris
    • 1703-1731: The Second Century of Opera
    • 1717-1731: Prima Donnas and Castrati
    • 1732-1739: The Seeds of Change
    • 1740-1761: The Death of Handel
  2. 1762-1850: Classical and Romantic Opera
    • 1762-1775: Opera is Reborn
    • 1776-1780: Melodrama and Singspiel
    • 1781-1786: Mozart in Vienna
    • 1787-1791: Mozart’s Last Operas
    • 1792-1804: Opera after the French Revolution
    • 1805-1816: Opera during the Empire
    • 1817-1821: Weber and German Romanticism
    • 1822-1828: Romantic Opera
    • 1829-1835: Bel Canto
    • 1836-1841: Successors to Rossini
    • 1842-1850: Verdi and Wagner
  3. 1851-1914: International Opera
    • 1851-1857: Verdi’s Middle Period
    • 1858-1867: The Second Empire
    • 1868-1875: The New Repertory
    • 1876-1882: Bayreuth
    • 1883-1895: Perfect Wagnerites
    • 1896-1902: The Turn of the Century
    • 1903-1907: Revival and Rebellion
    • 1908-1914: A Blaze of Glory
  4. 1915–: The Age of Recording
    • 1915-1918: Neoclassicism
    • 1919-1925: After the War
    • 1926-1932: Opera in the Weimar Republic
    • 1933-1944: Opera in the Shadow of War
    • 1945-1953: The New Order
    • 1954-1960: Grand Opera Reborn
    • 1961-1975: Opera and Anti-Opera
    • 1976-1991: Postmodernism
    • after 1992: Radical Stagings
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