The Cambridge Cultural History: Volume 8, Early Twentieth-Century Britain  19828

Part I: The Cultural and Social Setting

• The Edwardian Age and the Inter-War Years  Wilfrid Mellers and Rupert Hildyard[rtoc]
  • The Edwardian years
  • The First World War
  • The inter-war years[/rtoc]

Part II: Studies in the Individual Arts

1. Literature and Drama  Jacques Berthoud[rtoc]
   • Henry James and Arnold Bennett
   • Joseph Conrad
   • The novel of the condition of England
   • Georgian poetry
   • Thomas Hardy and Ezra Pound
   • James Joyce and Virginia Woolf
   • W. B. Yeats and T. S. Eliot
   • W. H. Auden and the thirties
   • Drama
   • Conclusion[/rtoc]
2. The Garden City  Simon Pepper[rtoc]
   • The Garden City Movement[/rtoc]
3. Music  Michael Kennedy[rtoc]
   • Edward Elgar, laureate and poet
   • Frederick Delius, the past-master
   • Vaughan Williams and Gustav Holst, the liberators
   • William Walton, the ‘white hope’
   • Benjamin Britten, on the road to Peter Grimes[/rtoc]
4. The Visual Arts  Richard Cork[rtoc]
   • Innovation, retrenchment and renewal
   • Jacob Epstein and Henry Moore
   • Wyndham Lewis and David Bomberg[/rtoc]
5. The ‘Civilization’ of Bloomsbury  John Beer[rtoc]
   • Bloomsbury and the Cambridge Apostles
   • New attitudes to art: Post-Impressionism
   • New attitudes to literature: Virginia Woolf[/rtoc]
6. Architecture  John Summerson[rtoc]
   • ‘Edwardian Baroque’
   • Charles Rennie Mackintosh and Charles Holden
   • Edwin Landseer Lutyens
   • Churches: Liverpool Cathedral and its architect
   • The sense of the modern and the ‘Modern Movement'[/rtoc]
7. John Grierson and the Documentary Film  Neil Sinyard
8. Design and Industry  Gillian Naylor[rtoc]
   • The legacy of the crafts
   • The dilemmas of design in the twenties
   • Design and domesticity
   • The designer as decorator
   • Patrons as pioneers
   • Definitions of modernism
   • Architect/designers and continental infleunces
   • Domesticating new materials
   • The artist as designer: the work of Paul Nash
   • The professionalisation of design[/rtoc]
9. John Laing’s Sunnyfields Estate, Mill Hill  Simon Pepper

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