Part I: The Cultural and Social Setting
- The Cultural and Social Setting Roy Shaw and Gwen Shaw[rtoc]
- Wartime beginnings
- Post-war achievements and disillusion
- Cultural democracy: a mixed blessing?
- Radio, television, and the press
- The consumer society
- The youth culture phenomenon
- The permissive society
- The Arts Council
- Class, the New Left, and education
- Pressure groups in the seventies
- Nuclear anxieties
- Economic crisis and a divided society[/rtoc]
Part II: Studies in the Individual Arts
- Music Paul Griffiths[rtoc]
- Introduction: a more musical Britain?
- Benjamin Britten
- Michael Tippett
- Around Britten and Tippett
- The generation of the thirties
- The generation of the forties and fifties[/rtoc]
- Ballet Fernau Hall[rtoc]
- Introduction: historical overview
- Frederick Ashton
- Ninette de Valois
- Antony Tudor
- Kenneth MacMillan
- La Sylphide
- Christopher Bruce[/rtoc]
- The Visual Arts Peter Fuller[rtoc]
- Nature and raw flesh: Graham Sutherland and Francis Bacon
- Henry Moore and after
- Conclusion: decadence and hope[/rtoc]
- New Towns Andrew Saint[rtoc]
- Stevenage and Milton Keynes
- The Third Programme Boris Ford
- The Crafts Christopher Frayling[rtoc]
- Introduction: concepts of ‘craftsmanship’ since the War
- The designer-craftsman
- The arts and craftsman
- The craftsman’s artist[/rtoc]
- Literature and Drama Gilbert Phelps[rtoc]
- Books in the market place
- The poetry boom
- Philip Larkin and Ted Hughes
- Post-war drama
- Joyce Cary, Angus Wilson and Doris Lessing[/rtoc]
- Film Neil Sinyard[rtoc]
- David Lean
- Ealing Studios and Alexander Mackendrick
- Joseph Losey
- Nicolas Roeg[/rtoc]
- Architecture Joseph Rykwert[rtoc]
- Planning New Tows
- Prefabrication and CLASP
- Housing in London
- Festival and fifties
- The development of universities
- Problems of scale and density
- Disillusion in the seventies
- The eighties[/rtoc]
- Housing at Roehampton Simon Pepper
- Industrial Design John Heskett[rtoc]
- Industrial design since the Second World War
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