Part I: The Cultural and Social Setting
- Romantics to Early Victorians David Punter[rtoc]
- Global and imperial influences
- European influences
- Context for the arts: patronage and the market
- Print and the development of literacy
- The Romantic experience
- Heroes and hero-worship
- Countryside: escape and preservation
- Rediscovery and the remaking of history
- Impact of scientific and technological development
- Victorianism consolidating
- Women and the arts
- Forms of popular art
- Arts and public life
- Conclusion: themes and trends[/rtoc]
Part II: Studies in the individual arts
- Edinburgh: City of Reason and Nature Alexander Youngson
- Literature John Beer[rtoc]
- Literature after 1785: genius, sensibility and ‘divine chit chat’
- William Blake’s energy and vision
- William Wordsworth: loss and consolation
- Samuel Taylor Coleridge’s comprehensiveness
- Jane Austen: pleasures and principles
- William Hazlitt and the logic of liberty
- John Keats’s disinterested intensities
- Percy Bysshe Shelley’s search for correspondences
- George Gordon Lord Byron: an identity of action
- A tradition of the heart?
- A new sense of the past?[/rtoc]
- The Fine Arts Michael Rosenthal[rtoc]
- Circumstances of the times
- Criticism in confusion
- History painting
- Contemporary subjects and genre
- Sculpture
- Portraiture
- Landscape[/rtoc]
- Graphic Satire and Illustration John Harvey
- Architecture Alexandra Wedgwood[rtoc]
- Overview of architects, building styles and types
- Sir John Soane and John Nash
- Charles Barry and Augustus Pugin
- Engineers, iron and glass[/rtoc]
- Music H. C. Robbins Landon[rtoc]
- Introduction
- Handelian echoes
- The rise of Haydn
- Foreigners, great and small
- British opera and vocal music
- The piano: from Georgian salon to Victorian parlour
- The Bach revival and the English cathedral tradition[/rtoc]
- The Athenaeum Alexandra Wedgwood
- Enclosure and the English Hedgerow Tom Williamson
- The Applied Arts: Design, Craft and Trade Pat Kirkham[rtoc]
- Case studies: pottery, silver and silver plate, furniture and interior design
- Design reform and the Great Exhibition[/rtoc]
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