The Cambridge Cultural History: Volume 5, Eighteenth-Century Britain  19825

Part I: The Cultural and Social Setting

  • The Arts in Eighteenth-Century Britain  Arthur Humphreys[rtoc]
    • Preliminaries
    • Augustan ‘Order’
    • Energy and liberty
    • The ideology of consensus: politics
    • The ideology of consensus: religion
    • Good nature and good taste: virtue and the virtuoso
    • The social arts
    • Patrons and public
    • ‘The grand affair of business’
    • London
    • Ireland and Scotland
    • Provincial life and communications
    • Landscape and touring[/rtoc]

Part II: Studies in the individual arts

  1. The Decorative and Useful Arts  Geoffrey Beard[rtoc]
    • Patronage and the rule of taste
    • Training
    • Interior decoration[/rtoc]
  2. Flowers in the Valley: Folk-Songs in Britain  Raymond O’Malley
  3. The Visual Arts  David Mannings[rtoc]
    • The age of William Hogarth
    • Reason and feeling in Augustan sculpture
    • Subject pictures
    • Portraiture
    • Landscape[/rtoc]
  4. Holkham Hall, Norfolk  Cinzia Maria Sicca
  5. Literature  Pat Rogers[rtoc]
    • Introduction: Anglo-Augustan attitudes
    • Poetry from Alexander Pope to Robert Burns
    • The satire of Jonathan Swift and Alexander Pope
    • The novel from Daniel Defoe to Fanny Burney
    • The climate of Samuel Johnson[/rtoc]
  6. Vauxhall Gardens  T. J. Edelstein
  7. Architecture  Sally Jeffery[rtoc]
    • Architectural training
    • John Vanbrugh and Nicholas Hawksmoor
    • Palladianism
    • Colen Campbell and Lord Burlington
    • The new English villa
    • Speculative building and town planning
    • William Chambers and Robert Adam[/rtoc]
  8. ‘The English Taste in Gardening’  Michael Symes[rtoc]
    • Castle Howard
    • Stowe
    • Rousham
    • Stourhead
    • Bowood[/rtoc]
  9. Music  Nicholas Anderson[rtoc]
    • Operas, serious and comic
    • Handel and the English oratorio
    • Music in the playhouses
    • Orchestral and instrumental music
    • Concert life[/rtoc]
  10. Augustan Bath  Bryan Little
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