Part I: The Cultural and Social Setting
- The Arts in Eighteenth-Century Britain Arthur Humphreys[rtoc]
- Preliminaries
- Augustan ‘Order’
- Energy and liberty
- The ideology of consensus: politics
- The ideology of consensus: religion
- Good nature and good taste: virtue and the virtuoso
- The social arts
- Patrons and public
- ‘The grand affair of business’
- London
- Ireland and Scotland
- Provincial life and communications
- Landscape and touring[/rtoc]
Part II: Studies in the individual arts
- The Decorative and Useful Arts Geoffrey Beard[rtoc]
- Patronage and the rule of taste
- Training
- Interior decoration[/rtoc]
- Flowers in the Valley: Folk-Songs in Britain Raymond O’Malley
- The Visual Arts David Mannings[rtoc]
- The age of William Hogarth
- Reason and feeling in Augustan sculpture
- Subject pictures
- Portraiture
- Landscape[/rtoc]
- Holkham Hall, Norfolk Cinzia Maria Sicca
- Literature Pat Rogers[rtoc]
- Introduction: Anglo-Augustan attitudes
- Poetry from Alexander Pope to Robert Burns
- The satire of Jonathan Swift and Alexander Pope
- The novel from Daniel Defoe to Fanny Burney
- The climate of Samuel Johnson[/rtoc]
- Vauxhall Gardens T. J. Edelstein
- Architecture Sally Jeffery[rtoc]
- Architectural training
- John Vanbrugh and Nicholas Hawksmoor
- Palladianism
- Colen Campbell and Lord Burlington
- The new English villa
- Speculative building and town planning
- William Chambers and Robert Adam[/rtoc]
- ‘The English Taste in Gardening’ Michael Symes[rtoc]
- Castle Howard
- Stowe
- Rousham
- Stourhead
- Bowood[/rtoc]
- Music Nicholas Anderson[rtoc]
- Operas, serious and comic
- Handel and the English oratorio
- Music in the playhouses
- Orchestral and instrumental music
- Concert life[/rtoc]
- Augustan Bath Bryan Little
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