- Foreword Phil Ramone
- Introduction
- The Big Band Years, 1937-1942
- Beginnings
- Discovery
- The First Recordings
- Dorsey Style
- The Voice
- The Songs
- The Microphone
- Wax Impressions
- The Columbia Years, 1943-1952
- Making the Break
- Taking Charge
- Charting the Way
- Anatomy of a Recording Session
- “Body and Soul”: Evolution of a Performance
- The Columbia Studios
- The Concept of Albums
- Diversity Personified
- In Pursuit of Perfection: The Singer as Producer
- Triple Threat: The Cutting Edge of Technology
- Sound on Sound
- The Birth of the LP Record
- The Magic of Tape
- Sinatra Swings!
- Downward Spiral: The Mitch Miller Influence
- The Capitol Years, 1953-1962
- A Capitol Thought
- Sinatra in Hollywood
- Frank Meets Nelson
- The team
- A Musical Marriage
- Dynamic Duo
- The Hottest Ticket in Town
- My Buddy
- The Capitol Studios: 5515 Melrose Avenue
- The Capitol Studios: Hollywood and Vine
- Model of Perfection: Close to You
- From Mono to Stereo
- With Gordon Jenkins
- With Billy May
- Melancholy Serenades: Only the Lonely
- Season of Discontent
- Manic Depression: Come Swing with Me and Point of No Return
- The Reprise Years
- Chairman of the Board
- Ring-a-Ding-Ding! and Sinatra and Strings
- Great Songs from Great Britain: The London Sessions, 1962
- Frank and Splank (Sinatra and Basie)
- Tour de Force: The Concert Sinatra
- Early Autumn: The September of His Years
- Straddling the Line: Rock ‘N’ Roll Sinatra
- “Somethin’ Stupid”
- Francis A. and Edward K.
- Middle of the Road
- Elder Statesman
- Capitol Revisited
- Afterword Nancy Sinatra
- Appendices
- Companion Recordings
- The Basic Collection
- Concept Albums
- Fifty Songs that Define the Essence of Sinatra
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