Believing in Opera
Foreword Matthew A. Epstein Believing in Opera Peter Brook and theatrical opera Theory of interpretation A repertoire of classics The design matrix Patrice Chéreau: revolutionary classicism Ruth Berghaus: Marx, feminism and the absurd David Alden: expressionist shock Peter Sellars: Americanizing everything Richard Jones: burlesque profundities Graham Vick: neo-realism and emotion Albery, Pimlott, Cairns: British expressionism …