- Foreword Matthew A. Epstein
- Believing in Opera
- Peter Brook and theatrical opera
- Theory of interpretation
- A repertoire of classics
- The design matrix
- Patrice Chéreau: revolutionary classicism
- Ruth Berghaus: Marx, feminism and the absurd
- David Alden: expressionist shock
- Peter Sellars: Americanizing everything
- Richard Jones: burlesque profundities
- Graham Vick: neo-realism and emotion
- Albery, Pimlott, Cairns: British expressionism
- A line of renewal: from Hall to Pountney
- Brian McMaster’s eclectic imports
- Frankfurt and after: from Neuenfels to Dekker
- 21st-century opera: going for a song
- Appendix: Bühnenreform (Theatre Reform) Alfred Roller
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