Peter Brook

Believing in Opera

Foreword   Matthew A. Epstein Believing in Opera Peter Brook and theatrical opera Theory of interpretation A repertoire of classics The design matrix Patrice Chéreau: revolutionary classicism Ruth Berghaus: Marx, feminism and the absurd David Alden: expressionist shock Peter Sellars: Americanizing everything Richard Jones: burlesque profundities Graham Vick: neo-realism and emotion Albery, Pimlott, Cairns: British expressionism …

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Systems of Rehearsal

TO BE: Konstantin Stanislavsky and Peter Brook TO BE AND NOT TO BE: Bertolt Brecht and Peter Brook LET BE: Jerzy Grotowski and Peter Brook Epilogue: A Multifaceted Ontology in Performance: Uniting Rough and Holy in Le Mahabharata.