1977

Bertolt Brecht

Chronology Introduction: Life, Times, and Work Brecht’s Theory of Theater Augsburg, Munich, Berlin (1918-26) Baal Drums in the Night Early One-Act Plays The Bible, The Wedding, The Beggar or The Dead Dog, He Drives Out a Devil, Lux in Tenebris, The Catch In the Jungle of the Cities A Man Is a Man Berlin (1926-33) …

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Brecht und die Religion

Einleitung Die theologische Diskussion Brechts “Atheismus” Die Funktion der Gottesbilder für das Verhalten der Christen Die Eigenfunktion der Gottesbilder Die Gottesbilder und die Kirche Versuch einer theologischen Antwort

Under Siege: Literary Life in London 1939-45

Prologue: Enemies of Promise Barbarians at the Gates Hell Came to London, and other stories Under Siege New Writing Poetry (London) Poems from the Forces Our Time There Is No Such Thing as Culture in Wartime

Sinful Tunes and Spirituals

Prologue: The African Heritage and the Middle Passage Part One: Development of Black Folk Music to 1800 Early Reports of Black African Music in British and French America[rtoc] La Calinda and the Banza Other African Dancing[/rtoc] More Black Instruments and Early White Reaction[rtoc] Drums and Other African Instruments The Balafo Legal Restrictions on Instruments[/rtoc] The …

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