- Chronology
- Introduction: Life, Times, and Work
- Brecht’s Theory of Theater
- Augsburg, Munich, Berlin (1918-26)
- Baal
- Drums in the Night
- Early One-Act Plays
- The Bible, The Wedding, The Beggar or The Dead Dog, He Drives Out a Devil, Lux in Tenebris, The Catch
- In the Jungle of the Cities
- A Man Is a Man
- Berlin (1926-33)
- The Threepenny Opera (and Happy End)
- The Rise and Fall of the City of Mahagonny
- Saint Joan of the Stockyards
- The Lehrstücke
- The Flight Across the Ocean, The Baden Didactic Play, On Consent, He Who Says Yes/He Who Says No, The Measures Taken, The Exception and the Rule
- The Mother
- Exile (1933-47)
- The Seven Deadly Sins
- The Horatians and the Curatians
- The Round Heads and the Pointed Heads
- Fear and Misery of the Third Reich
- Señora Carrar’s Rifles
- Galileo
- Mother Courage and Her Children
- The Trial of Lucullus
- One-Act Plays: Dansen and What Is the Price of Iron?
- The Good Woman of Setzuan
- Herr Puntila and His Servant Matti
- The Resistible Rise of Arturo Ui
- The Visions of Simone Machard
- Schweyk in the Second World War
- The Caucasian Chalk Circle
- East Berlin (1948-56)
- The Days of the Commune
- Turandot, or The Congress of Whitewashers
- Brecht’s Adaptations
- Brecht and America
- In Conclusion
Array
(
[_edit_lock] => Array
(
[0] => 1547814539:1
)
[_edit_last] => Array
(
[0] => 1
)
[ASIN] => Array
(
[0] => 0804428077
)
[ISBN] => Array
(
[0] => 9780804428071
)
[shop] => Array
(
[0] => "25961"||$20.00
)
)