Credits: Geoffrey Skelton (translator), Robert Cohen (translator of new portions), Daniel Theisen (translator of portions of the epilogue)
Notes: Glossary on page 114
Marat/Sade (book) with the title "The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton under the Direction of the Marquis de Sade" (en)
Credits: Geoffrey Skelton (English version), Adrian Mitchell (verse adaptation), Richard Peaslee (music)
The Boys’ Own Marat/Sade: Martin Esslin reviews 40 Years On (Apollo) (review) • "Whether Alan Bennett was aware of the parallel when he wrote the play or not – and I don't suppose he was – there is a remarkable similarity between Peter Weiss's Marat/Sade and the current success at the Apollo.
Array
(
[_edit_last] => Array
(
[0] => 1
)
[_edit_lock] => Array
(
[0] => 1616364667:1
)
[aka] => Array
(
[0] => Die Verfolgung und Ermordung Jean Paul Marats dargestellt durch die Schauspielgruppe des Hospizes zu Charenton unter Anleitung des Herrn de Sade
)
[bibliography] => Array
(
[0] => "15988"|"Whether Alan Bennett was aware of the parallel when he wrote the play or not – and I don't suppose he was – there is a remarkable similarity between Peter Weiss's Marat/Sade and the current success at the Apollo.
)
[subtitle] => Array
(
[0] => Drama in zwei Akten
)
[inlibrary] => Array
(
[0] => "33167"*p155
[1] => "33175"*p41|Marat/Sade*en|Geoffrey Skelton*translator**Robert Cohen*translator of new portions**Daniel Theisen*translator of portions of the epilogue|Glossary on page 114
[2] => "33179"|The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton under the Direction of the Marquis de Sade*en|Geoffrey Skelton*English version**Adrian Mitchell*verse adaptation**Richard Peaslee*music
)
[_last_editor_used_jetpack] => Array
(
[0] => classic-editor
)
)