The Music Theater of Walter Felsenstein  8792

• Prologue

Part I: Felstenstein on the Music Theatre in General

• The staging of opera
• Method and attitude
• Partnership with the audience
• Basic questions of method in the music theater
• On the training of stage directors for the music theater
• The approach to the work

Part II: Felsenstein on Specific Problems

• Why does Pamina flee?
• Donna Anna and Don Giovanni
• On Janáček’s dramatic works
• The undistorted Carmen
• Preparation for staging Carmen (by Stephan Stompor)
• Felsenstein analyzes the tragedy of Carmen

Part III: Interviews with Walter Felsenstein

• Rolf Liebermann: Conversations during rehearsals
• André Boll: A contribution to the discussion of the music theater
• Horst Seeger: Opera in films and on television
• Vilem Pospisil: The ABC of stage direction
• Hans-Rainer John: A conversation of the tasks of the music theater

Part IV: Views, Reviews and Reactions

• Joachim Herz: On the reality of the singing human being
• Stephan Stompor: Dramaturgy in the music theater
• Rudolf Heinrich: Set designer for the music theater
• Siegfried Melchinger: The new Traviata
• Horst Koegler: The stage director Walter Felsenstein
• Peter Paul Fuchs: Random notes taken during a Felsenstein seminar
• H. H. Stuckenschmidt: Felsenstein’s magic realism

• Epilogue: Quoting Felsenstein

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