Singing Archaeology: Philip Glass’s Akhnaten

Oedipus and Akhnaten: Of Origins and Archaeologies Glass’s Poetics of Postmodernism The Musical Language of Akhnaten Narrating from a Distance: Representations of the Old Order in the Prelude and the First Two Scenes Higher Love: New Geometries of Power, Desire, and Exclusion in the Trio and Two ‘Duets’ of Akhnaten, Nefertiti, and Tye The Illusion …

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