Benjamin Britten

Late Britten

Foreword   Colin Matthews Britten’s Indian Summer: What is ‘lateness’? The Red House The Late Years: a timeline Venice Creativity Undiminished   Linda Hutcheon & Michael Hutcheon Horham Britten’s Late Circle Rita Thomson Rosamund Strode Colin Matthews Donald Mitchell What Went Wrong With Britten’s Health   Dr Stephen Lock Wolfsgarten The Late Works

Britten’s Words

Introduction Why poetry? Mrs Britten W. H. Auden Walter de la Mare Peter Pears William Blake’s ‘The Tyger’ William Blake Edith Sitwell Praise We Great Men Visualisation: Screenshots of digital diagrams of the temporal relations between Britten’s songs and the lifetimes of his poets Winter Words Thomas Hardy The song cycles List of poets set

Queer Talk

Foreword   Sue Sanders Introduction   Lucy Walker Edging towards Wolfenden   Paul Kildea The Road to Decriminalisation   Christopher Rogers Basil Dearden’s ‘Victim’ and the Call for Legal Reform   Andrew Moor What Britten and Pears’ Letters Tell Us   Nicholas Clark Four Productions    Neil Bartlett Reflections on his four Britten production (see below) The Indecency of the Closet   …

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Britten

Preface Preface to the 1993 edition Life Suffolk childhood Frank Bridge At the College Auden & Co. America The return The Borough Aldeburgh Gloriana Gamelan War Requiem Noh-play in Orford Moscow and Maltings The fire Death in Suffolk Pride and prejudice Music 1923-35 1936-39 1939-42 1942-45 1945-48 1949-54 1955-60 1961-71 1970-73 1973-76 Epilogue After 1976

Benjamin Britten: His Life and Operas

Prefac to the Second edition  Life Early Work and Training Collaboration with W. H. Auden American Visit In Wartime England First Operatic Successes Festival Interlude Aldeburgh: Living in Crabbe Street Aldeburgh: At the Red House Personal Postscript The Operas Appendices include: Extract from The Britten Estate Executors’ Press Statement (1967) Establishment of the Britten-Pears Library …

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