Foreword Geoffrey Block Introduction Forty-Two Years of Musicals The Divinely Decadent Lives of Cabaret Chicago: Broadway to Hollywood Fred Without John and John Without Fred Kiss of the Spider Woman: Sex, Politics, and the Diva Musical Flops and Second Chances: Flora, the Red Menace; The Happy Time; Zorbá; 70, Girls, 70; The Rink; and Steel …
Eine Art Vorwort Meine Treffen mit Verdi Giuseppe e Sylvia: Eine Begegnung Giuseppe Verdis mit der Dichterin Sylvia Plath Mozart – der größte Irrtum der Natur Mozart – das irdischte Kind Schumann, Schubert und ihr Schatten Schumann, Schubert und der Schnee Das Wagnerfestival in Altaussee Besuch in Bayreuth 2007 Der verborgene Traum des Alexander Zemlinsky …
Foreword General Sir Richard Dannatt Introduction Captain Alexander Allan The Place and the People On Patrol In Camp Incident and Aftermath Recovery and Determination
Introduction Linguistic Note ‘City of Fire on Night’ ‘Precipitous City’ ‘Perilous City’ ‘City of Palaces, or of Tombs’ ‘City of Everywhere; ‘City of Refuge’ ‘A Very Old-Fashioned City’ Envoi
Preface Bonnie Greer Foreword Joi Gresham An Expanded Production History The Primary Distinctions: Young, Female and Black, 1959-1965 Establishing the Hansberry Legacy and the Role of Robert Nemiroff, 1965-2009 Conclusion Introduction Robert Nemiroff
Actions That a Man Might Play: An Introduction There Lies the Scene: Actors and Theaters in Late Elizabethan England A Local Habitation and a Name: Stage Business in the Comedies Thus Play I in One Person Many People: Performing the Histories Like a Strutting Player: Staging Moral Ambiguity in Measure for Measure and Troilus and …
The Histories Cast Family Tree of Edward III Foreword Michael Boyd Acknowledgements Introduction The Histories Time Line The Blog Spring 2007 Summer 2007 Autumn 2007 Winter 2007/8 Spring 2008 Responses Photographs Epilogue Who’s Who of the Histories Glossary