2000
Politics, Prudery and Perversions: The Censoring of the English Stage, 1901-1968
Introduction Putting the Prime Minister on Stage Putting Women Straight Homosexual Relations Playing Politics with the Stage No Flushing, Please, We’re British The Importance of Being Saved Epilogue: The Limits of Freedom
The Actor and the Text
Foreword Trevor Nunn Part One: Attitudes to Voice and Text Sound and Meaning Attitudes to voice The practical means Heightened versus Naturalistic Text Part Two: Shakespeare — Setting out the Rules Metre and Rhythm Structures, Energy, Imagery and Sound Energy through the text Antithesis Substance of the word Discovery and movement of thought Nature of …