1984
Aribert Reimanns »Lear«: Weg einer neuen Oper
Vorbemerkung des Herausgebers Der »King Lear« vor Aribert Reimann Quellen und Anregungen Die Ballade vom König Lear und seinen drei Töchtern Giuseppe Verdis »Rè Lear« Anja Weigmann Der Komponist Aribert Reimann Vom Lyriker zum Dramatiker Wolf-Eberhard von Lewinski Jedes Stück hat sein besonderes Eigenleben Aribert Reimann Auf dem Weg zu »Lear« Was sagt die Musik, …
The Weaker Vessel, Part Two
Afterwards – A Continual Labour Worldly Goods Divorce from Bed and Board Benefiting by Accomplishments Petticoat-Authors Helping in God’s Vineyard The Delight of Business Wanton and Free Actress as Honey-Pot The Modest Midwife Epilogue: How Strong?
The Weaker Vessel, Part One
Author’s Note Chronology of Important Events 1603-1702 Prologue: How Weak? As It Was – This Blessed Knot A Wife Sought for Wealth Affection Is False Crown to her Husband The Pain and the Peril Are You Widows? Poor and Atrabilious Unlearned Virgins Living under Obedience With the War – Stronger Grown Courage above her Sex …
The Unashamed Accompanist
Foreword Geoffrey Parsons Introduction to this edition Partnership Preparation Practising Rehearsing The Artists’ Room Performance Bad Habits Sight Reading and Transposition Orchestral Accompaniments Folk-song Accompaniments Piano and Violin Sonatas Accompanying the Strings Conclusion A Letter to Gerald Moore in his 85th Birthday Year Graham Johnson
Sophocles: The Three Theban Plays
Translator’s Preface Robert Fagles Greece and the Theater Bernard Knox The Genealogy of Oedipus
Galsworthy: Five Plays
Introduction Benedict Nightingale John Galsworthy: Chronology Non Worrall
Brian Friel: Plays 1
Introduction Seamus Deane