1971
The Beethoven Companion
The Man and Artist Beethoven as Man and Artist Philip Barford The Pianos and the Piano Music Beethoven’s Pianos Derek Melville The Piano Music—I Harold Truscott The Piano Music—II Philip Barford The Chamber Music The Chamber Music with Piano Nigel Fortune The Chamber Music for Strings Robert Simpson The Orchestral Music The Symphonies and Overtures …
Chekhov and His Russia
Chekhov’s aims and opportunities as a realist Chekhov’s Russia—The land and the people—The scope of his picture The peasant The landowner The official class; administration, justice, police The church The intelligensia, education and the liberal professions Industry and commerce, town life Chekhov’s values
Die vollkommene Leere
Stanisław Lem: »Die vollkommene Leere« (Doskonała próznia) Marcel Coscat: »Les Robinsonades« Patrick Hannahan: »Gigamesh« Simon Merril: »Sexpolosion« Alfred Zellermann: »Gruppenführer Louis XVI« Solange Marriot: »Rien du tout, ou la conséquence« Joachim Fersengeld: »Perycalypsis« Gian Carlo Spallanzani: »Der Idiot« (Idiota) »Do yourself a book« Kuno Mlatje: »Odysseus aus Ithaka« (Odys z Itaki) Raymond Seurat: »Toi« Alistar …
The Theatre of Albert Camus
The Background Apprenticeship: Révolte dans les Asturies Caligula La Malentendu L’État de siège Les Justes Stalemate: Translations and Adaptations Conclusions and Synthesis
Civilisation
Colour separations on cover misaligned The Skin of Our Teeth The Great Thaw Romance and Reality Man – the Measure of all Things The Hero as Artist Protest and Communication Grandeur and Obedience The Light of Experience The Pursuit of Happiness The Smile of Reason The Worship of Nature The Fallacies of Hope Heroic Materialism …