World Cinema: Critical Approaches

Redefining cinema: international and avant-garde alternatives
1. Concepts of national cinema Stephen Crofts
2. Modernism and the avant-gardes Murray Smith
3. Realism, modernism, and post-colonial theory Ashish Rajadhyaksha
Redefining cinema: other genres
1. The documentary John Izod and Richard Kilborn
2. The animated film Michael O’Pray
European cinema
1. Issues in European cinema Ginette Vincendeau
  Case-studies: Movements, Moments, and Filmmakers
2. The avant-gardes and European cinema before 1930 Ian Christie
3. Italian post-war cinema and Neo-Realism Simona Monticelli
4. The French Nouvelle Vague Jill Forbes
5. New German Cinema Ulrike Sieglohr
6. East Central European Cinema Daniel J. Goulding
7. European film policy and the response to Hollywood Armand Mattelart
8. Directors and stars
  1. Jean Renoir Keith Reader
  2. Ingmar Bergman Chris Darke
  3. Chantal Akerman Cathy Fowler
  4. Pedro Almodóvar José Arroyo
  5. Luc Besson Susan Hayward
  6. Brigitte Bardot Ginette Vincendeau
Anglophone national cinemas: Case-studies
1. British cinema Andrew Higson
2. Ireland and cinema Martin McLoone
3. Australian cinema Elizabeth Jacka
4. Canadian cinema Will Straw
World cinema
1. Issues in world cinema Wimal Dissanayake
  Case-studies: Cinemas of the world
2. Indian cinema Ashish Rajadhyaksha
  Reading: ‘Popular Hindi Cinema’, Rosie Thomas
3. Chinese cinema Bérénice Reynaud
4. Hong Kong cinema
  1. Discovery and pre-discovery Stephen Teo
  2. China and 1997 N. K. Leung
5. Taiwanese New Cinema Kuan-Hsing Chen
6. Japanese Cinema Freda Freiberg
7. African Cinema N. Frank Ukadike
  Reading: Hyenes, Richard Porton
8. South American cinema Julianne Burton-Carvajal
Redefining cinema: film in a changing age
1. Film and changing technologies Laura Kipnis
2. Film and television John Hill

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World Cinema: Critical Approaches 30860

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