W. A. Mozart  33545

1. Childhood
2. Travels of the child prodigy
3. Works from the Grand Tour
4. Studies in Salzburg
5. First operas in Vienna
6. Gesellschaftsmusik and church music in Salzburg, 1769
7. First Italian journey
8. Second and third Italian journeys
9. Opera seria
10. Early operas and the oratorio La Betulia liberata
11. Church and instrumental works, 1769-1773
12. On the way to La finta giardiniera
13. Opera buffa
14. La finta giardiniera
15. Mozart in Salzburg, 1775-1777
16. Munich and Augsburg
17. Mannheim
18. Arrival in Paris: Tragédie lyrqiue
19. Opéra comique
20. The music dramas of Gluck
21. Mozart in Paris
22. Homecoming
23. Service at the Salzburg court
24. Sacred and instrumental works, 1779-1781
25. König Thamos and Zaide
26. Idomeneo
27. First steps in Vienna
28. German Singspiel
29. Die Entführung aus dem Serail
30. Engagement and marriage
31. Mozart’s personality
32. Relations with Constanze, friends and colleagues, 1782-1786
33. Mozart and Freemasonry
34. In the service of the aristocracy and society
35. Plans for new operas
36. Mozart’s artistic creativity
37. Profound changes in style: the influence of J. S. Bach, G. F. Handel and C. P. E. Bach
38. Chamber and orchestral works between Die Entführung and Figaro
39. The great keyboard concertos
40. Choral works, lieder and arias
41. Operatic fragments between Die Entführung and Figaro
42. Le nozze di Figaro
43. Between Figaro and Don Giovanni
44. Mozart in Prague
45. Don Giovanni
46. The period of the three great symphonies
47. Visit to north Germany
48. Così fan tutte
49. Increasing hardship and work
50. Instrumental and vocal works of the final two years
51. La clemenza di Tito
52. Die Zauberflöte
53. Illness and death
54. The Requiem
55. Beyond the grave

Appendices

1. Marianne Mozart   Otto Jahn
2. Transcriptions of Mozart’s church music   Otto Jahn
3. Mozart’s cousin   Otto Jahn
4. Mozart as a comic poet   Otto Jahn
5. On the genesis of Idomeneo   Hermann Abert

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