The Cambridge Companion to Brecht  24929

Contents

Brecht and film
• words by Martin Brady
Actors on Brecht
• words by Margaret Eddershaw
Brecht and stage design: the Bühnenbildner and the Bühnenbauer
• words by Christopher Baugh
Brecht and music: theory and practice
• words by Kim H. Kowalke
Brecht’s poetry
• words by Philip Thomson
Key words in Brecht’s theory and practice of theatre
• words by Peter Brooker
Revolutionising theatre: Brecht’s reinvention of the dramaturg
• words by Mary Luckhurst
Brecht and the Berliner Ensemble – the making of a model
• words by Carl Weber
The Caucasian Chalk Circle: the view from Europe
• words by Maria Shevtsova
Life of Galileo: between contemplation and the command to participate
• words by Cathy Turner
Mother Courage and Her Children
• words by Robert Leach
The Good Person of Szechwan
• words by Christopher McCullough
Learning for a new society: the Lehrstück
• words by Roswitha Mueller
Brecht’s clowns: Man is Man and after
• words by Joel Schechter
The Threepenny Opera
• words by Stephen McNeff
Brecht’s early plays
• words by Tony Meech
Brecht and cabaret
• words by Michael Wilson, Oliver Double
Brecht’s lives
• words by Peter Thomson
Brecht’s Germany: 1898-1933
• words by Eve Rosenhaft
Total items: 19

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