- Preface
- Part I: The Revelation of the Man
- The Aim and Method explained
- Shakespeare’s Imagery compared to that of Marlowe and Bacon
- Imagery of Shakespeare and other Dramatics compared
- The Subject-matter of Shakespeare’s Images
- Shakespeare’s Senses
- Shakespeare’s Tastes and Interests
- Outdoor Life
- Shakespeare’s Tastes and Interests (continued)
- Indoor and other Interests
- Evidence in the Images of Shakespeare’s Thought
- Evidence in the Images of Shakespeare’s Thought (continued)
- Association of Ideas
- Shakespeare the Man
- Part II: The Function of the Imagery as Background and Undertone in Shakespeare’s Art
- Leading Motives in the Histories
- Leading Motives in the Comedies
- Leading Motives in the Romances
- Leading Motives in the Tragedies
- Charts (at end of book)
- Range and subjects of images in five of Shakespeare’s plays
- Range and subjects of Marlowe’s images
- Subject and range of Bacon’s images
- ‘Daily Life’ images in Shakespeare and five contemporary dramatists
- Range and subjects of Shakespeare’s images
- Dominating images in King John and Henry VIII
- Dominating images in Hamlet and Troilus and Cressida
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