- Introduction
- Style
- A Passage to Opera
- Things Like Truths
- Worlds of Sound
- Sweet Smoke of Rhetoric
- The Story of O
- Dramaturgy
- Passion Play
- Simple Savor
- Those Fierce Moments
- Soliloquy, Set Speech, Aria I
- Soliloquy, Set Speech, Aria II
- The M-Word
- The Nature of Melodrama
- Kaleidoscope; or, Ringing the Changes
- The Pyramid Game
- Operatic Bard, Bardic Opera
- Performance
- Heroic Utterance; or, Be Not Too Tame
- Star Quality; or, Risky Business
- Technique and the Gemini Factor
- The Right Voices
- Staging Shakespeare and Opera; or, Big Tiny Little
- Operas from Shakespeare
- Squeezing the Orange
- Incredible Credo?
- Two Lears
- The Measure of Wagner
- Taming The Shrew
- Some Ado about Berliox
- The Tempest Tossed
- Britten’s Dream
- Wherefore Romeo?
- Barber’s ‘Pair so Famous’
- The Other Othello
- Hamlet’s Outrageos Fortune
- Several Fat Knights
- Coda: A Dream of the Bard
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