Rossini  32821

  • Preface
  1. The formative years (1792-1810)
  2. Venice and Milan (1810-14)
  3. Arrival in Naples
  4. Rome and Il barbiere di Siviglia (1816)
  5. Naples, Rome, and Milan (1816-17)
  6. Mosè in Egitto and return to Pesaro (1818)
  7. 1819-21
  8. Vienna, Verona, Venice (1822-3)
  9. Paris and London (1823-4)
  10. Paris (1824-9)
  11. Retirement from operatic composition
  12. Bologna, Paris, Madrid (1829-35)
  13. Paris, the Rhineland, and return to Italy (1835-46)
  14. Times of Barricades and Assassinations: Bologna, Florence, and departure from Italy (1847-55)
  15. Return to Paris
  16. Saturday soirées and a new Mass
  17. Last years (1865-8)
  18. Entr’acte: some problems of approach to the works
  19. The early operas
    • Demetrio e Polibio
    • La cambiale di matrimonio
    • L’equivoco stravagante
    • L’inganno felice
    • Ciro in Babilonia
    • La scala di seta
    • La pietra del paragone
    • L’occasione fa il ladro
    • Il Signor Bruschino
  20. Overtures
  21. Tancredi: heroic comedy and the forming of a method
  22. L’italiana in Algeri: formal mastery in the comic style
  23. Milan and Venice (1813-14)
    • Aureliano in Palmira
    • Il turco in Italia
    • Sigismondo
  24. Arrival in Naples (1815-16)
    • Elisabetta, regina d’Inghilterra
    • La gazetta
    • Otello
  25. Il barbiere di Siviglia and the transformation of a tradition
  26. La Cenerentola: an essay in comic pathos
  27. La gazza ladra and the semiseria style
  28. Armida and the new romanticism
  29. Mosè in Egitto (1818-19) and Moïse et Pharaon (1827)
  30. Ermione and other operas
    • Adelaide di Borgogna
    • Adina
    • Ricciardo e Zoraide
    • Ermione
    • Eduardo e Cristina
  31. Rossini and Scott: La donna del lago
  32. Final operas in Italy
    • Bianca e Falliero
    • Matilde di Shabran
    • Zelmira
    • Semiramide
  33. Maometto II (1820) and Le siège de Corinthe (1826)
  34. Il viaggio a Reims (1825) and Le Comte Ory (1828)
  35. Guillaume Tell
  36. Sacred Music
    • Messa di Gloria
    • Stabat mater
    • Petite messe solonnelle
  37. Vocal and piano music
    • Early songs
    • Giovanna d’Arco
    • Les soirées musicales
    • Péchés de vieillesse

Topics covered by this book

  1. Moïse et Pharaon (drama) • p208 • Chapter 29: Mosè in Egitto (1818-19) and Moïse et Pharaon (1827)
  2. Armida (drama) • p202 • Chapter 28: Armida and the new romanticism
  3. La Cenerentola (drama) • p192 • Chapter 26: La Cenerentola: an essay in comic pathos
  4. L’italiana in Algeri (drama) • p159 • Chapter 22: L'italiana in Algeri: formal mastery in the comic style
  5. Tancredi (drama) • p152 • Chapter 21: Tancredi: heroic comedy and the forming of a method
  6. Mosè in Egitto (drama) • p40 • Chapter 6: Mosè in Egitto and return to Pesaro (1818)
  7. Mosè in Egitto (drama) • p208 • Chapter 29: Mosè in Egitto (1818-19) and Moïse et Pharaon (1827)
  8. La donna del lago (drama) • p223 • Chapter 31: Rossini and Scott: La donna del lago
  9. Il barbiere di Siviglia (drama) • p28 • Chapter 4: Rome and Il barbiere di Siviglia (1816)
  10. Il barbiere di Siviglia (drama) • p184 • Chapter 25: Il barbiere di Siviglia and the transformation of a tradition
  11. Guillaume Tell (drama) • p35 • Chapter 250
Array
(
    [_edit_lock] => Array
        (
            [0] => 1596316529:1
        )

    [shop] => Array
        (
            [0] => "28380"||£4.00
            [1] => "28380"||£4.00
        )

    [_edit_last] => Array
        (
            [0] => 1
        )

    [ASIN] => Array
        (
            [0] => 0460861034
        )

    [ISBN] => Array
        (
            [0] => 9780460861038
        )

)

Leave a Reply

Your email address will not be published.

This site uses Akismet to reduce spam. Learn how your comment data is processed.