- Introduction Richard Eyre
- Introduction Harley Granville Barker
- The Study and the Stage
- Shakespeare’s Stagecraft
- The Convention of Place
- The Speaking of the Verse
- The Boy-Actress
- The Soliloquy
- Costume
- The Integrity of the Text
Hamlet
- The Nature of the Play
- The Genius of the Workshop
- The Development of Hamlet
- The Nature of the Action
- The Five Acts of the Editors
- Place-Structure and Time-Structure
- A First Movement
- A Second Movement
- A Third Movement
- A Note on the First Quarto
- The Pirate and His Methods
- The Changed Scene-Sequence
- The Verse and the Prose
- Vocabulary and Imagery
- The Prose
- The Verse
- The Characters
- Francisco and a few Functionaries
- Horatio
- Marcellus, Barnado
- Horatio, resumed
- Rosencrantz and Guildenstern
- Polonius
- Laertes
- Ophelia
- Claudius
- Gertrude
- Hamlet
- His Looks and Conduct
- Hamlet and Gertrude
- Hamlet and Ophelia
- The Intrinsic Hamlet
- The Inner Strife
- The Frustrate Mind
- A Soul Adrift
- Shakespeare’s Prophetic Soul
Topics covered by this book
- Hamlet (drama)
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