- Foreword Trevor Nunn
- Preface
- Part One: Objective Things
- The Two Traditions: Elizabethan and Modern Acting
- Using the Verse: Heightened and Naturalistic Verse
- Language and Character: Making the Words One’s Own
- Using the Prose: Why does Shakespeare use Prose?
- Set Speeches and Soliloquies: Taking the Audience with You
- Using the Sonnets: Going over Some Old Ground
- Part Two: Subjective Things
- Irony and Ambiguity: Text that isn’t what it seems
- Passion and Coolness: A Question of Balance
- Rehearsing the Text: Orsino and Viola
- Exploring a Character: Playing Shylock
- Contemporary Shakespeare: A Discussion
- Poetry and Hidden Poetry: Three Kinds of Failure
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