New Vocabularies in Film Semiotics  30805

Structuralism, post-structuralism and beyond

  1. The Origins of Semiotics
    • Semiotics and the philosophy of language
    • The founders of semiotics
    • Russian Formalism
    • The Bakhtin School
    • Prague structuralism
    • Jakobson’s communications paradigm
    • The advent of structuralism
    • Post-structuralism: the critique of the sign
  2. Cine-semiology
    • The cinematic sign
    • Minimal units and their cinematic articulation
    • Cinema: langue or langage?
    • The Grand Syntagmatique
    • The eight syntagmatic types
    • Codes and subcodes
    • Textual system
    • Textual analysis
    • Filmic punctuation
    • The semiotics of filmic sound
    • Language in the cinema
    • Beyond Saussure
  3. Film-narratology
    • The semiotics of narrative
    • Film as a narrative art: Formalist approaches
    • Contemporary models of formal structure
    • The structuralist analysis of narrative
    • Plot analysis: the Proppian model
    • Semantic and syntactic approaches
    • The problem of point-of-view
    • Focalization and filtration
    • Narration in film
    • Types of filmic narrator
    • Character narration
    • Gender in voice-over narration
    • Unreliability
    • The cinematic narrator
    • Enunciation and cinematic narration
    • Cognitive approaches to narration
    • Recent theories of the cinematic narrator
    • Tense
  4. Psychoanalysis
    • Psychoanalytic theory
    • Psychoanalytic film theory
    • The cinematic apparatus
    • The spectator
    • Enunciation
    • The gaze
    • Feminist film theory
  5. From realism to intertextuality
    • Cinematic realism
    • Ideology and the camera
    • The classic realist text
    • Cinematic écriture
    • From “work” to “text”
    • The contradictory text
    • The nature of reflexivity
    • The politics of reflexivity
    • Intertextuality
    • Transtextuality
    • Discourse
    • Social semiotics
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