- A Formal Introduction to the Subject
- Word-Groups
- Occasions for Singing
- Making Everything Clear
- Helping the Performers
- The Longs and Shorts in Singing
- Instrumental Helps and Hindrances
- The “Musical Idea”
- Both Words and Emotions Are Important
- Opera in the Vernacular
- The Nature of Opera
- After All
Contents
- music by Virgil Thomson
- music by Virgil Thomson
- music by Virgil Thomson
- music by Virgil Thomson
- music by Virgil Thomson
- music by Virgil Thomson
- music by Virgil Thomson
- words by Walt Whitman
- music by Virgil Thomson
- words by Jack Larson
- music by Virgil Thomson
- words by Gertrude Stein
- music by Virgil Thomson
- words by Thomas Campion
- music by Virgil Thomson
- words by William Blake
- music by Virgil Thomson
- words by William Blake
- music by Virgil Thomson
- words by William Blake
- music by Virgil Thomson
- words by Anonymous (Latin)
- music by Virgil Thomson
- words by William Shakespeare
- music by Virgil Thomson
- words by William Shakespeare
- music by Virgil Thomson
- words by Anonymous
- music by Virgil Thomson
- words by Marianne Moore
- music by Virgil Thomson
- words by Gertrude Stein
- music by Virgil Thomson
- words by Georges Hugnet
- music by Virgil Thomson
- words by Gertrude Stein
from Missa pro defunctis
from Missa pro defunctis
from Missa pro defunctis
from Missa pro defunctis
from Missa pro defunctis
from Missa pro defunctis
from Much Ado About Nothing
from Measure for Measure
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[subtitle] => Array
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