- Media language
- Semiotics: Roland Barthes
- Concept 1: denotation and connotation
- Concept 2: the media’s ideological effect
- Structuralism: Claude Lévi-Strauss
- Concept 1: binary oppositions
- Concept 2: binary oppositions and ideological significance
- Narratology: Tzvetan Todorov
- Concept 1: the three act ideal
- Concept 2: the ideological effects of story structure
- Genre theory: Steve Neale
- Concept 1: repetition and difference
- Concept 2: industry effects on genre-driven content
- Postmodernism: Jean Baudrillard
- Key concept: the real and the hyperreal
- Media representation
- Representation: Stuart Hall
- Concept 1: media representation processes
- Concept 2: stereotypes and power
- Postcolonial theory: Paul Gilroy
- Concept 1: racial binaries, otherness and civilisationism
- Concept 2: the legacy of Empire and British identity
- Feminist theory: Liesbet van Zoonen
- Concept 1: the female body as spectacle
- Concept 2: masculinity in the media
- Intersectionality: bell hooks
- Concept 1: interconnected oppression
- Concept 2: hooks’ call to action
- Gender as performance: Judith Butler
- Concept 1: gendered identities are constructed through repetition and ritual
- Concept 2: gender subversion and gendered hierarchies
- Media and identity: David Gauntlett
- Concept 1: traditional and post-traditional media consumption
- Concept 2: reflexive identity construction
- Media industries
- Ownership effects: Jame Curran and Jean Seaton
- Concept 1: media concentration
- Concept 2: effects of concentration on media content
- Concept 3: diverse ownership creates diverse products
- Regulation: Sonia Livingstone and Peter Lunt
- Concept 1: citizen and consumer models of media regulation
- Concept 2: regulation in the globalised media age
- The culture industry: David Hesmondhalgh
- Concept 1: maximising profits and minimising risks
- Concept 2: the effects of the internet revolution are difficult to diagnose
- Media audiences
- Media modelling effects: Albert Bandura
- Concept 1: violent behaviours are learned through modelling
- Concept 2: audiences copy media modelling
- Cultivation theory: George Gerbner
- Concept 1: fear cultivation
- Concept 2: media consumption leads audiences to accept mainstream ideologies
- Reception theory: Stuart Hall
- Concept 1: encoding and decoding
- Concept 2: dominant, negotiated and oppositional decoding
- Fandom: Henry Jenkins
- Concept 1: fan appropriation
- Concept 2: audience-producer convergence in the digital age
- Concept 3: fans use participatory culture to effect wider social change
- The end of audience: Clay Shirky
- Concept 1: everybody makes the media
- Concept 2: everyday communities of practice
Array
(
[_edit_lock] => Array
(
[0] => 1577016782:1
)
[_edit_last] => Array
(
[0] => 1
)
[subtitle] => Array
(
[0] => The Essential Revision Guide
)
[ISBN] => Array
(
[0] => 9780367145439
)
[ASIN] => Array
(
[0] => 036714543X
)
)