- Introduction
- Persons of the Play
- Scene 1: The Art of Orchestration
- Speech Measures
- Punctuation
- Operative Words
- Scene 2: Focal Points
- Scene Partners
- Audience
- Audience and Self
- Multiple Focal Points
- Scene 3: Images
- Image to Image, with a Single Focal Point
- Image to Image, with Multiples Focal Points
- Image and Partner
- Image and Audience
- Scene 4: Spoken Subtext
- Head, Heart, Guts, and Groin
- Secret Fears
- Secret Hopes and Dreams
- Secret Intentions
- Realizations
- Decisions
- Scene 5: Actions
- Purely Physical Actions
- Opposing Actions
- Laban Effort Actions
- Psycho-physical Verbs
- Psycho-physical Verbs with Multiple Focal Points
- Qualities to Actions
- Scene 6: Complex Orchestration
- The Actor’s Toolkit
- The Right Tool
- Spontaneity
- Emotion
- Scene 7: Towards Performance
- Previsualization
- Scene Objectives
- Act Objectives
- Play Objectives
- Super-objectives
- Questions and Answers
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