|
Working with John – Interviews by Susanna Capon |
- words by Bill Paterson, Elizabeth MacLennan, Jack Gold, Jenny Tiramani, John Bett, Pamela Howard, Susanna Capon, Troy Kennedy Martin
|
|
Three One-Woman Epics: The Political Performer |
|
|
A Good Night In: The Long Roads |
- words by Robert Dawson Scott
|
|
A Practical Realism: McGrath, Brecht, Lukács and Blood Red Roses |
|
|
The Television Adaptation of The Cheviot, The Stag and the Black, Black Oil |
|
|
‘Bursting through the hoop and dancing on the edge of the seediness’: Five Scottish Playwrights Talk about John McGrath |
- words by Ian Brown, John Clifford, Liz Lochhead, Stephen Greenhorn, Stewart Conn, Tom McGrath
|
|
Celtic Centres, the Fringes and John McGrath |
|
|
Border Warranty: John McGrath and Scotland |
- words by Randall Stevenson
|
|
Finding the Right Places, Finding the Right Audiences: Topicality and Entertainment in the Work of 7:84 England |
- words by Nadine Holdsworth
|
|
‘Serjeant Musgrave Dances to a Different Tune’: John McGrath’s Adaptation of John Arden’s Serjeant Musgrave’s Dance |
|
|
A Life Outside 7:84: John McGrath and the Everyman Theatre, Liverpool |
|
|
Get Out and Get On: Events While Guarding the Bofors Gun |
|
|
Theatre, Theory and Politics: The Contribution of John McGrath |
|
| Total items: 13 | |
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