- Film Studies: Critical Approaches
- Introduction to film studies Richard Dyer
- Studying the film text
- The film text and film form Robert P. Kolker
Reading: Written on the Wind, Robin Wood
Reading: Citizen Kane, Peter Wollen
- Film acting Paul McDonald
- Film costume Pamela Church Gibson
- Film music Claudia Gorbman
- The film text: theoretical frameworks
- Classic film theory and semiotics Antony Easthope
- Formalism and neo-formalism Ian Christian
Reading: ‘Poetry and Prose in cinema’, Viktor Shklovsky
- Impressionism, surrealism, and film theory Robert B. Ray
- Film and psychoanalysis Barbara Creed
- Post-structuralism and deconstruction Peter Brunette
- Film and postmodernism John Hill
- Film text and context: gender, ideology, and identities
- Marxism and film Chuck Kleinhans
Reading: The political thriller debate, John Hill
- Feminism and film Patricia White
Reading: Rebecca, Mary Ann Doane
Reading: Rebecca, Tania Modleski
- Gay and lesbian criticism Anneke Smelik
- Queer theory Alexander Doty
- Pornography Laura Kipnis
- Race, ethnicity, and film Robyn Wiegman
- Film and cultural identity Rey Chow
- Film text and context: culture, history, and reception
- Film and history Dudley Andrew
- Sociology and film Andrew Tudor
- Cultural studies and film Graeme Turner
- Film audiences Jostein Gripsrud
- Hermeneutics, reception aesthetics, and film interpretation Noel King
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