Film Studies: Critical Approaches  30861

  • Film Studies: Critical Approaches
    1. Introduction to film studies   Richard Dyer
  • Studying the film text
    1. The film text and film form   Robert P. Kolker
      Reading: Written on the Wind, Robin Wood
      Reading: Citizen Kane, Peter Wollen
    2. Film acting   Paul McDonald
    3. Film costume   Pamela Church Gibson
    4. Film music   Claudia Gorbman
  • The film text: theoretical frameworks
    1. Classic film theory and semiotics   Antony Easthope
    2. Formalism and neo-formalism   Ian Christian
      Reading: ‘Poetry and Prose in cinema’, Viktor Shklovsky
    3. Impressionism, surrealism, and film theory   Robert B. Ray
    4. Film and psychoanalysis   Barbara Creed
    5. Post-structuralism and deconstruction   Peter Brunette
    6. Film and postmodernism   John Hill
  • Film text and context: gender, ideology, and identities
    1. Marxism and film   Chuck Kleinhans
      Reading: The political thriller debate, John Hill
    2. Feminism and film   Patricia White
      Reading: Rebecca, Mary Ann Doane
      Reading: Rebecca, Tania Modleski
    3. Gay and lesbian criticism   Anneke Smelik
    4. Queer theory   Alexander Doty
    5. Pornography   Laura Kipnis
    6. Race, ethnicity, and film   Robyn Wiegman
    7. Film and cultural identity   Rey Chow
  • Film text and context: culture, history, and reception
    1. Film and history   Dudley Andrew
    2. Sociology and film   Andrew Tudor
    3. Cultural studies and film   Graeme Turner
    4. Film audiences   Jostein Gripsrud
    5. Hermeneutics, reception aesthetics, and film interpretation   Noel King
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