“Fears of Broils and Arms”: The Wars of the Roses (1963) and The Henriad (1964)
Wars and Lechery: Troilus and Cressida (1960, 1968, 1976), Coriolanus (1967), and Julius Caesar (1968)
“The Owl and the Cuckoo”: Love’s Labour’s Lost (1965, 1978), Twelfth Night (1969), All’s Well That Ends Well (1967), Measure for Measure (1970), and The Merchant of Venice (1979, 1981)
“He Who Plays the King”: Richard II (1973-74) and King John (1974-75)
“What Country, Friend, Is This?”: Othello (1971) and Much Ado About Nothing (1976)
“Improbable Fictions”: The Tempest (1970), Cymbeline (1975), The Winter’s Tale (1976), A Midsummer Night’s Dream (1977), and Two Gentlemen of Verona / Titus Andronicus (1981)
The Marriage of True Minds: Hamlet (1980)
Beyond Shakespeare: Doctor Faustus (1974), Perkin Warbeck (1975), The Pillars of the Community (1977), The Way of the World (1978), The School for Scandal (1983), and La Ronde (1982)
“To Sing a Song That Old Was Sung”: The Greeks (1980)
“His Hour Upon the Stage”: Barton Anatomized
Appendices:
“Profile”, The Varsity (Cambridge), May 12, 1951
Programs for the BBC Broadcasts of The First Stage
Barton’s Revision of the “Gage Scene” in Richard II
Barton’s Prologue to King John
Barton’s Interpolation of Battle Scene for Cymbeline
A Chronology of John Barton’s Work with the RSC, 1960-1984