- How to use this book
- Introduction
- The Plays
- The False Turk – in Twelve Minutes: One-act curtain raisers, seventeenth-century style
- Cast and production requirements
- Introduction
- Scenario
- Text
- Home from the Wars: Early Commedia dell’Arte sketch, in the style of Angelo Beolco
- Cast and production requirements
- Introduction
- Scenario
- Text
- Pantalone Goes A-Wooing: One-act play based on the Drottningholm painting (c. 1580)
- Cast and production requirements
- Introduction
- Scenario
- Text
- The Path of True Love: Two-Act play, in seventeenth-century ‘Golden Age’ style
- Cast and production requirements
- Introduction
- Scenario
- Text
- Fool’s Gold: One-act play, with early Mask types but with fin de siècle ‘Art House influence’s
- Cast and production requirements
- Introduction
- Scenario
- Text
- Harlequin Married: Mime play typical of Art Deco Commedia dell’Arte of the 1920s
- Cast and production requirements
- Introduction
- Scenario
- The Haunting of Pantaloon – A Harlequinade: One-act play, based on the early Victorian ‘spoken’ style
- Cast and production requirements
- Introduction
- Scenario
- Text
- The Duchess Mislaid: Large-scale two-act play, designed as a community project involving all the well-known Masks
- Cast and production requirements
- Introduction
- Scenario
- Text
- The False Turk – in Twelve Minutes: One-act curtain raisers, seventeenth-century style
- The Lazzi
- ‘Asides and Freezes’
- ‘The Attitudes’
- The Nineteenth Century
- The Seventeenth Century
- ‘The Bee, the Fly, and the Flea’
- ‘Changing Places
- ‘Charging’
- ‘Chasing’
- Pantomime ‘Chases’
- Adult ‘Chases’
- ‘Counting’
- ‘Clocking and Double Takes’
- ‘Cross-Dressing’
- ‘The Dance of Glee’
- ‘Disguises and Role Swapping’
- ‘Dismemberment!’
- ‘Drunkenness and Drinking’
- ‘Either End’
- ‘Embracing’
- ‘The Emperor’s Props’
- ‘Exchanging Clothes’
- The ‘Straight Exchange’
- The ‘Comic Change’
- The ‘Screen Change’
- The ‘Hoop Change’
- ‘Extra Limbs’
- ‘Fainting’
- ‘Forbidding’
- ‘Fragmented Sentences’
- ‘Gawping’
- ‘Getting Nowhere’
- ‘Gibberish’
- ‘Going Backwards’
- ‘Grimaldi’s Laugh’
- ‘Half On/Half Off’
- The Scaramouche Lazzo
- ‘Here, here, them here’
- ‘He’s behind you!’
- ‘Hunger’
- ‘Interjections’
- ‘Knocking’
- ‘Ladders’
- ‘The Letter’
- ‘Concealing the Letter’
- ‘Listing’
- ‘Looking’
- ‘Lust’
- ‘Making do with’
- ‘Mime Drawing’
- ‘Mimicking’
- ‘Mimicking’ to identify
- ‘Mimicking’ to ‘take the mickey’
- ‘The Misdirected Embrace’
- ‘Money’
- ‘Moving a Body’
- ‘Muttering and Mumbling’
- ‘Names’
- ‘Nothing will stop me’
- ‘Nudge-nudge, wink-wink’
- ‘Parting’
- ‘The Passeggiata’
- ‘Perquisites of the Role’
- ‘Picking pockets, removing keys, etc.’
- ‘Placing the Chair’
- ‘The Policeman’s Lot’
- ‘Proposing’
- ‘Relay and relate’
- ‘Rushing about’
- ‘Searching’
- ‘Startling each other’
- ‘The Surprise Embrace’
- ‘Tedium’
- ‘Thinking’
- ‘Threats’
- ‘Token Conspiring’
- ‘… Two Bits’
- ‘The Umbrella Gag’
- ‘Vanishing and Invisibility’
- ‘The Zanni Duo’
- Appendix 1: Stage Fights
- Appendix 2: Onstage Locations [USR, CS, DSL etc]
Contents
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