- General editors’ preface
- Preface
- Introduction
- A brief view of the play
- Fictions of gender
- Rosalind and the boy actor
- Later Rosalinds
- Celia
- Orlando
- Phoebe and Audrey
- Date
- The Forest of Arden
- ‘Well, this is the Forest of Arden’
- The hunt
- Robin Hood and his merry men
- Staging the Forest of Arden
- Early foresters
- The Earl of Essex
- Thomas Morley
- Realms of gold
- Shakespeare and Thomas Lodge
- Shakespeare and Sidney
- Harington, Ariosto and Rabelais
- Golden worlds
- Pastoral
- Genre: entertainments for Elizabeth
- Corin and Touchstone
- Borderlands: love and politics
- A wise man and a fool: Jaques and Touchstone
- ‘A speaking picture’: readers and painters
- Text
- The staying order
- The Folio text: provenance and editorial practices
- Text and performance
- Epilogue: ‘All the world’s a stage’
- As You Like It
- Appendices
- A court epilogue, Shrovetide 1599
- Casting and doubling
- Ben Jonson, As You Like It and the ‘War of the Theatres’
- The Douai manuscript
- Political after-lives: Veracini’s opera Rosalinda (1744) and Charles Johnson’s Love in a Forest (1723)
Contents
- words by William Shakespeare
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